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Fabrice de Nola is an Italian-Belgian artist born in Messina (Sicily) in 1964. He introduced the use of QR codes in oil paintings. In 2006, he created the first oil paintings containing texts and web connections to be used on mobile phones.〔(Fabrice de Nola ) at the Palazzo Riso.URL retrieved 29 January 2011.〕〔(Active Project ) at official Fabrice de Nola website.URL retrieved 20 june 2009〕 ==Biography== The son of an Italian mother and a Belgian father, Fabrice de Nola lived in Messina until 1981. He attended the Art school in Palermo, but left after one year in order to pursue his interest in photography. At the end of the 1980s he moved to Milan, and thereafter to Mechelen, his father’s hometown.〔( Artist's biography ) in Italian, at «denola.com». URL retrieved 20 june 2009.〕 In the mid-1980s he worked as a scene-painter in Geneva, Cairo and Rome.〔 In those early years, he used photocopiers and photography as techniques in support of his painting. In the mid-1990s, the computer〔Gianluca Marziani, ''Dipingere al computer'', «Flash Art Italia», Milan, october 1999, issue 288.〕 became an essential tool for the preparation and pre-production of his paintings.〔Gianluca Marziani. ''NQC, Arte italiana e tecnologie: il nuovo quadro contemporaneo''. Rome, Castelvecchi Editore, 1998. ISBN 88-8210-074-X.〕 In 1996, he showed at the Il Ponte Contemporanea Gallery in Rome where he remained until the year 2000.〔Achille Bonito Oliva. ''The Bridges of Art''. Milano, Genève, Skira, 2004. ISBN 88-8491-810-3.〕 In 1997, Fabio Sargentini invited Fabrice de Nola to the Palermo exhibition ''Giro d’Italia dell’Arte'' curated by Demetrio Paparoni, a survey of young Italian artists, at the l’Attico Gallery.〔(''Giro d’Italia dell’Arte'' ) at L'Attico Gallery website. URL retrieved 20 june 2009.〕 That same year he participated in ''Roma, 4 young painters'', which showed four Roman painters and was curated by Fabio Sargentini at the Generous Miracles Gallery in New York. In 1999, during the 48th Biennal of Venice, he exhibited in ''Authoritratti italiani'' at the Fondazione Bevilacqua La Masa. Posters were put up at that time in Venice reproducing his works. De Nola painted a self-portrait using photographs, CT and X-rays: painted on one half is his face, while on the other half the interior is visible, showing skull, muscles, eyeball and brain. In 2000, he took part in two group shows in Rome: ''Lungo il muro del Gasometro'' at the Teatro India Gallery and ''Giganti'' at the Imperial Forum of Nerva. He also showed that year in ''Sui generis'' at the PAC in Milan. In 2001, he created a work on the building site of the Auditorium of Rome. The painting was commissioned by the Ministry of Culture〔(Purchases and Gifts in Rome Museums (1997-2005) ). Retrieved 5 December 2009.〕 for the permanent collection of MACRO.〔Arnaldo Romani Brizzi, Ludovico Pratesi. ''Roman Construction Sites''. Rome, Gangemi Editore, 2001. ISBN 88-492-0151-6.〕 That same year he participated in the ''Le Muse inquietanti'' at the Pascali Museum in Bari and ''Dalla Mini al mini'' at the Palazzo delle Esposizioni in Rome. In 2003, de Nola showed his ''Neural Pro'' project in a one-man show at Palazzo Isnello at ''Il Genio of Palermo''. In Rome he exhibited the series ''Air Ocean'' at the Teatro Umberto and two large canvases from the Cerasi Collection at the Cloister of Bramante. The Italian Ministry of Foreign Affairs invited him to the ''Futuro italiano'' exhibition〔(''Futuro italiano'' ). Exhibition's official website. Retrieved 5 december 2009.〕 at the European Parliament in Brussels. In 2006, he created the first oil painting using painted QR code.〔〔 The work has been exhibited the same year in Milan.〔(Bottom up ), news about the show. Retrieved 21 January 2011.〕 In 2007, the Ministry of Foreign Affairs commissioned two works from him for the Farnesina Experimenta Art Collection. In 2008, he participated in the VII International Festival of Photography of Rome with his show ''Skip Life'',〔(''Skip Life. Special cases of normality in day-to-day life'' ) page on FotoGrafia Festival website. Retrieved 5 december 2009.〕 and he was also invited to the 15th Rome Quadriennale where he presented an advertising installation for the fake Neural Pro Company.〔Paolo Conti. (''I visitatori decidono il titolo'' ) «Corriere della Sera», page 53, 13 june 2008. Retrieved 5 december 2009.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Fabrice de Nola」の詳細全文を読む スポンサード リンク
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